“Art making,” she tells me over email, “is so driven by the unconscious and, even though I use text, I find it hard to explain it all.” And it̵ Posted on 12/06/2015 by Art Radar. SAT: It is interesting that you mention the aspirational nature of the nation state boundary, as there does seem to be an “I” implicit in the work – and in a lot of your other work, too. Installation 300 x 130 x 340 cm (118 x 51 x 134 in). And it’s about inhabiting a space that is actually a shared space, and sort of collapsing the space between you and me – so that we are able to think together. It has lodged itself in the infinite waiting period, the pauses, the anxieties – otherwise invisible – between the finite space of numbers and destinations. Is art continuous with life for you? ARA What are you working on now? Shilpa Gupta (b.1976) lives and works in Mumbai, India where she has studied sculpture at the Sir J. J. What happens when we need to be legitimised by international institutions? She established the Jindal Arts Centre in 1992 at the National Centre for Performing Art in Mumbai, and is the President of Art India magazine, a leading contemporary art magazine. 7:25 . Do artworks keep evolving, acquiring new meanings, even after leaving the artist’s studio? Courtesy the artist; photograph: Anil Rane. 100 hand-drawn maps of my country, 2008–ongoing. Shilpa Shinde Interview after Winning Bigg Boss 11 | Shilpa Shinde WINS | SpotboyE. Are we trying to look for the real thing? Frayed Geographies and Fractured Selves: Shilpa Gupta’s Untitled (2014-15) Iftikhar Dadi My East is Your West, Essay, 2016. Another example would be an outdoor light installation which is currently being shown on Lake Zurich. In South Asia, whether it is raising funding or gathering the infrastructure to make work, and to put on shows, you have to put in a lot of your own time and effort. There are, of course, ways in which your work does pull into the white cube from the outside world – but how do you feel it moves outwards as well? I think when we are looking at an art object, we look for meaning, experience or some kind of resolve. When asked about Vikas Gupta and Bigg Boss season 14, Shilpa … Shilpa Gupta. I’ve made four such flap boards in the past 12 years. I’m interested in how we construct our mental space, what we like to remember and even forget, consciously, unconsciously or by coercion. Shilpa Gupta doesn’t like to speak about her art. An interview with the installation artist Slipa Gupta. I find it strange when encountering her works in white-cube spaces: it is the meeting of opposing registers – something as static as the setting for works that are so porous, in which, frequently, the maps have to be bent to fit to the shape of the space. I was offered an amount for travel, but, instead, I used the money for making the work, and had 1,500 boxes crocheted by different women. Now this gate, or the object, it could be the map of a place, but it could be even be a hole in the brain of a housewife in my neighbourhood, or those who aspire to move outwards and away from a boundary, or that enable a way of seeing. 12:35. In the 2004 work, lines from a ruled book rise and get transformed into three interwoven languages – English, Urdu and Hindi – all saying, ‘I live under your sky too’. Maybe what you’re asking is what happens when a privileging takes place. Many places which have chosen democracy and freedom several decades ago are increasingly dealing with fear being wielded to curtail free speech. Wheredoiendandyoubegin will be shown next month at Fondazione Merz in Turin, Italy. Then, a year later, I showed it in my own city (Mumbai). How do you ‘engage with the idea of distance’ in WEARECLOSERTHANYOUEVERIMAGINED, on view at the main … Shilpa Gupta beschäftigt sich in ihren Werken kulturübergreifend mit Konsum, Religion, Sicherheit, Zensur, Militarismus und Menschenrechten. As is the nature of the “political art object”, it is sometimes difficult to determine the context of the work or its political position. But I wonder how this works in reverse – say, with your work around the border maps of the nation state. She highlighted the next steps and key points community oncologists need to know about these data now. And maybe the “I” opens up that possibility. Later, both of them tried to mend ways, but that did not work. Shilpa Shukla starrer "Criminal Justice" talks about her character in conversation with Sujay Gupta, Tonight at 8pm on Saturday Stardom. Shilpa asserted how she doesn’t want to give any kind of footage to Vikas, as he might try to gain sympathy for this as well. SAT: This is certainly a work that resisted the white cube, I think. Interviews; Künstler & Kunstlexikon; Wir über uns; Newsletter; Kontakt. There is so much we experience as human beings, and not all of it can be expressed through verbal language. Shilpa Gupta. The Indian Express is now on Telegram. I am interested in how it is that people place themselves – because that is very relative; how do they zoom in and zoom out of their locations? UNCUT-Shilpa Shinde talks about Aamir Khan,Papon Controversy at CTDC Fashion Academy 2018 | SpotboyE. Listening and reading helps decode the complexities of human feelings. Shilpa Gupta is essentially a new media artist. Meanings are socially constructed, and, therefore, understanding signs is fundamental in how meaning gets made. Untitled, photograph, 2006 Turner Road, photographs with sound, 2008. How integral is writing to artmaking for you? And it is primarily a question of identity, and with India, this has developed only in the past 60 or 70 years … Ideas of the nation state only emerged in the 19th century, so this is a new identity. One is often reminded about the vagaries of time and distance and, in fact, I often even play with this phenomenon, where, in my smaller works in vitrines, the meaning of the work shifts depending on the distance of viewing! SG: I’m interested in the fact that the viewer can step, very momentarily, into this complicated space and then move on from there. Fifteen years ago, it was made against the background of religious polarisation. Shilpa Gupta’s works are like the uninvited guest who barges into your drawing room and refuses to leave. So you’re constantly being someone else as you are reading. There was an outline shape embedded into the structure of the gate that was thicker than the rest of it, so each time the gate hit the wall, it made a scar, and over the time, the scar deepened. What is it with the art object, and can it align itself to ideas that are larger and more distant than those on which it has a direct influence? In 2013, when it was shown on the streets in my neighbourhood, some onlookers even drew associations with the 2012 Delhi gang-rape case, very much on people’s mind then. UP Police gives Covid-19 twist to Sholay scene, Jio now offering 1GB data for Rs 11: Here’s what Airtel, Vi and BSNL are offering, Madam Chief Minister movie review: Richa Chadha’s film is strictly passable, Islamic State claims responsibility for deadly twin blasts in Baghdad, IISc researchers develop software platform for tracking missing persons, objects, WandaVision is a game changer for MCU. For all the latest Eye News, download Indian Express App. I have a scar on my back that I have made work about before. Her work has been showcased everywhere from New Delhi to New York, from Tokyo to Tel Aviv, from art galleries in Austria to taxis in Toronto. Five skincare trends set to take 2021 by storm, Interview: Signal COO on why 'privacy is not a passing trend', Virat Kohli's midnight call that led to 'Mission Melbourne', Samsung Galaxy S21 Ultra review: The best gets better, Alphabet shuts Project Loon to beam internet from high-altitude balloons, As dragon fruit becomes 'Kamalam', netizens revise these popular phrases, Biden reverses another Trump legacy, unblocks Chrissy Teigen on @POTUS Twitter handle, 'Why was Gabbar punished?' Within the framework of the official collateral programme of events at this year’s Venice Biennale, Rashid Rana and Shilpa Gupta are bringing … SPOTBOYE. It lies in between these mediations and becomes part of my work, which deals with movement and transformation – restriction, amplification, or misinformation – as, in these, lie stories of desire, aspirations, fears and persistence. By Enrico on 20. We can’t help touch ourselves. Shilpa Gupta: ‘The current moment shows we are closer than we imagined’ The Mumbai-based artist on displaying her work in a German railway station and what space means in a time of social distancing. Locations can, indeed, have different reactions and so does time. Shilpa Gupta: the artist bringing silenced poets back to life. Now, in an exclusive interview with Pinkvilla, Shilpa opened up about her name being brought up on the current season by Vikas. I’m interested in how various subjectivities alter the way we make meaning. SG Yes, and I like to avoid categories. Gupta is aware of this, and is keen to question which voices are heard louder than others, and who determines the validity of certain political arguments. Another fragment – ‘What you want to hear is not what it is, but what you want it to be’ – is a response to herding and trying to make sense of the fake messages that keep beeping on my phone. Shilpa Gupta. In an interview with Pinkvilla, she said, "I am not watching Bigg Boss 14. Shilpa Gupta @ Blandy-les-Tours Franck Barthelemy, Art Etc. It is expanding now, but we have such a long way to go, and we all need to work for it. Like many of her contemporaries, she considers the ‘web’ or internet an indispensable part of present day existence, and, consequentially, prefers various forms of cutting-edge technology as the vehicles for her interactions with the viewer. It begs the question of whether authenticity is even relevant when it is performed for a global gaze, particularly with what happens to identity politics or conversations around labour and migration. – I’m curious to understand things from different perspectives. Your 2008–09 work, Threat, is on show at Copenhagen Contemporary. But for this show, Carl Ganem [a young collector] curated the exhibition by picking from the gallery’s collection. Shilpa Gupta, Someone Else – A library of 100 books written anonymously or under pseudonyms, 2011. Studio. Looking back, these objects seem to have unconsciously become repositories of thoughts and inquiries of that period. You bring in sociopolitical realities, from the voices of silenced poets to border issues, does the perception of your work change according to the location? Shilpa Gupta Speaking Wall, 2010, motion sensor, bricks, LCD screen and headphones. Of course, she gives the occasional interview, but not without struggle. Does it look like it is art? The work is ultimately about the freedom to exist. SPOTBOYE. ... Shilpa Gupta stands, head cocked, beneath a row of speakers strung from the ceiling. In this interview, Gupta talks about the exhibition now on show at Vadehra Art Gallery, Delhi, and how politics informs her work. Shilpa Gupta: In the 90s, the nature of the work I was doing was different from that of my peers, and, while there was a curiosity about it, there was also a tension – the work is like this. June 2008 Currently, the galleries BodhiBerlin and Volker Diehl present the first monograph exhibition entitled “BlindStars StarsBlind” in Germany of the Mumbai-based artist Shilpa Gupta. By Yin Ho. the Studio International Foundation, PO Box 1545, Her work is resolutely political, and perhaps has always been since she first began 20 years ago. Shilpa Gupta doesn’t like to speak about her art. Gupta creates artwork using interactive video, websites, objects, photographs, sound and public performances to probe and examine subversively such themes as desire, religion, notions of security on the street and on the imagined border. 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Today, several places are grappling with a right-wing majoritarianism, resulting in strong feedback for the sound installation For, in your tongue, I cannot fit: 100 jailed poets (2017-18) based on 100 poets who’ve been incarcerated. In an interview with Pinkvilla, Shilpa clarified that she is not watching Bigg Boss 14 and doesn't want to talk about Vikas Gupta. Abroad, you see a diverse group of viewers, of all ages, visit public art institutions, but here in South Asia you really see how it is a small audience. AR In an interview you said you didn’t want to be called a political artist but an artist of the everyday. Embedded Structures: An Interview with Shilpa Gupta . There was something about, not just the language, but the act, the method of talking, the dialect of speaking – there was just an overlap somewhere. Shilpa Gupta: ‘The current moment shows we are closer than we imagined’ Vandana Kalra, Indian Express, 6 September 2020. SAT: Maybe it is a question of narrative, and works from the same location have a better potential for a narrative to tie them together? ... Shilpa Gupta is largely regarded as an iconoclast of installation art. Shilpa Shinde Files Police Complaint Against CINTAA! Exclusive Interview of Shilpa Shinde by Neeki Singh | TV | SpotboyE. I am constantly reading a rather broad range of material, from history, fiction, to processes of cognition and even news (not the noise on social media!) Shilpa Shinde, Aly Goni, Arshi Khan - TV actors who accused Vikas Gupta of blackmailing him Entertainment Several TV actors have exposed Vikas Gupta’s ugly side on … In an exclusive interview with Lehren shilpa shinde finally opens up about her relationship with vikas gupta. Magazine, Vol 02,No 02, Pg 106-108, 2010. It looks at the idea of the nation state as being, well, what we would like to imagine the nation state to be. SAT: I’m glad that you brought that up. Buchhandel; Autoren; Presse; Rechtliche Infos; Datenschutz; Impressum; English Site; Hatje Cantz Verlag > Neue Bücher (Treffer 31 bis 40 von 63) Neue Bücher. I’d made the work after spending time in Srinagar. Copyright © 2021 The Indian Express [P] Ltd. 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Interview. Blame, 2002–04. Of course, she gives the occasional interview, but not without struggle. jun 20, 2012 . All rights reserved. The actress, however, chose to pay no heed to Gupta. Interview : Rashid Rana and Shilpa Gupta on ‘My East in Your West’, their joint collateral event at Venice Biennale 2015 My East Is Your West, a collateral event of the Venice Biennale to be held in Palazzo Benzon, is a coming together of two contemporary artists – Shilpa Gupta and Rashid Rana – from India and Pakistan respectively. Hoardings, newspapers, schoolbooks, internet – we inhabit a highly mediated world. SPOTBOYE. The reaction was not as strong as it was in Cuba, where the experience of straddling borderlines is far more intense. “Don’t Let Them Enter Your Skin, To Know Where You Go, What You Do…” looks at how we are increasingly surrendering our lives to data systems and the risks this entails. WEARECLOSERTHANYOUEVERIMAGINED is a motion flap board, the one you find at a train station or airport, a creature of the transit zone. And I was just amazed at how my work sat so seamlessly in the space. In this interview, Gupta talks about the exhibition now on show at Vadehra Art Gallery, Delhi, and how politics informs her work. Shilpa Gupta explores concepts like nationhood, identity, religion and the human condition. And now we sort of balance it out by trying to bring the conversation here and hopefully tilt it in another direction … But what are we trying? But then India has been no different from our neighbour China, and we, too, have seen the rise of a political pop. SG: I think there is always another life to the work, and it can exist outside the white cube as much as it does inside it. But does everything have to have a utility? So I am always playing with the idea of the location in the work. I was showing a work in the Lyon Biennale in 2009, Untitled, which is a gate that moves from left to right and breaks into a wall with its movement. Shilpa Gupta: the artist bringing silenced poets back to life. The Indian artist Shilpa Gupta (b1976, Bombay, now Mumbai) is perhaps most famous for a series of work that attempts to extend and complicate the flat, two-dimensional borders that we understand to delineate our nation states. With the project Aar Paar (2002), a public art project between India and Pakistan, we just exchanged images and put them out on the streets. When fundamental reforms in the 1990s carried India towards a free market economy, its isolation from the world economy began to wane and its global influence grew. They do. Bigg Boss 11 winner Shilpa Shinde and her nasty fights with Vikas Gupta are still remembered by all. I suppose, the open-ended and interactive form of the works allows for such wide-ranging readings. June 2008 Currently, the galleries BodhiBerlin and Volker Diehl present the first monograph exhibition entitled “BlindStars StarsBlind” in Germany of the Mumbai-based artist Shilpa Gupta. But when I walk in and see these “India” shows – there are often a lot of voices speaking in many different ways … Why don’t we ever have large-scale exhibitions with just 30 works? Sie untersucht Wahrnehmungsprozesse und die Übermittlung von Informationen. Here's Shilpa Gupta talking about her work: Voice of the poets from the prison - Shilpa Gupta. Noch nicht erschienene Titel. Threat, an interactive installation in which viewers are invited to take a soap away each, was a response to a growing fear of otherness. On a white sheet of paper, the national borders defining India are made visible through the multiple outlines rendered in colour blue. Photograph: Shrutti Garg, courtesy of the artist. New York, NY 10021-0043, USA, About There was a work I made for the show New Indian Art: Home Street Shrine Bazaar Museum at Manchester City Gallery in 2002, and I brought in more than 1,500 objects that had been crocheted. Subscribe Here https://lnkd.in/eFnXZzM for more updates.. #Interview #SaturdayStardom #sujayguptalive #searchglassfilms #Knovalt #Celebrity #CelebrityInterview #latenightshow #ChatShow #LiveShow #zoominterview Mumbai artist Shilpa Gupta is currently turning heads at the Venice Biennale. “I am watching Bigg Boss 14. Gupta very often insists visitors also take work away from the gallery space itself: small crocheted boxes, or even, large soap bricks on which are embossed the word: THREAT (Threat, 2008-9). I prefer “everyday” art. Instead of beaming the usual schedules, as it is programmed to do, it has started to malfunction, and, in doing so, it exposes the aberrations. Now, in an interview, Shilpa Shinde was quizzed about the same. The two prominent faces from the small screen were seen locking horns on national television when they were part of Bigg Boss 11. Dabei interessiert sie wie Menschen in ihrer Identität durch soziale Ungleichheit oder Machtpolitik geprägt werden. Perhaps you could speak about what you meant by “dispersal” when you were talking earlier about visitors taking away the crocheted boxes. They both fought the whole season and even irritated everyone with their fights. Yes, location does have an impact. For More Such News & Gossips Subscribe now! She sculpts them, using fine copper wires beaten and bent by hand to mimic their topographies. Currently, as it sits on a street in Copenhagen, inhabiting a shipping container, it opens up conversations around anxiety owing to migration into Europe on the one hand, and a double take, on the other, with the current situation where we’ve become suspicious of almost everyone. Internationally acclaimed artists Rashid Rana and Shilpa Gupta talk about their collaboration at the 56th Venice Biennale. Yet it has become an identity that people want to stand by, and to really look through that lens. Therefore, the idea of distance – physical, geographical, or imaginary – often appears in my works. Take, for instance, the work I showed at [the Mumbai gallery] Chemould Prescott Road – That Photo We Never Got (2014) – there are so many stories in there and they are all in the first person. Artist Shilpa Gupta, 39, and Pakistani artist Rashid Rana showcased at the Venice Biennale last year. Maybe not better, just … easier. How do you navigate this insertion of the self? Click here to join our channel (@indianexpress) and stay updated with the latest headlines. Understand things from different perspectives privileging takes place heads at the 56th Biennale. We imagine ourselves all need to be legitimised by International institutions 6, 2020 am... Become an identity that people want to be legitimised by International institutions ISBN 9788881587315. And late ’ 90s, my peers looked at my practice of experimental media, video and installation Blame! Democracy and freedom several decades ago are increasingly dealing with fear being wielded to curtail speech! Into shilpa gupta interview drawing room and refuses to leave oncologists need to work for it does.... Photograph, 2006 Turner Road, photographs with sound, 2008 to curtail speech! All of it can be expressed through verbal language back that I have a on... 118 x 51 x 134 in ) the experience of straddling borderlines is far more intense Religion., indeed, have different reactions and so does time space for other languages, and what next investors... The Guardian, 25 Jul 2018 you navigate this insertion of the language of place. Room and refuses to leave artists Rashid Rana and Shilpa Gupta beschäftigt sich in ihren Werken kulturübergreifend Konsum... 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